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Born Standing Up: A Comic's Life, by Steve Martin
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Amazon.com Review
At age 10, Steve Martin got a job selling guidebooks at the newly opened Disneyland. In the decade that followed, he worked in Disney's magic shop, print shop, and theater, and developed his own magic/comedy act. By age 20, studying poetry and philosophy on the side, he was performing a dozen times a week, most often at the Disney rival, Knott's Berry Farm. Obsession is a substitute for talent, he has said, and Steve Martin's focus and daring--his sheer tenacity--are truly stunning. He writes about making the very tough decision to sacrifice everything not original in his act, and about lucking into a job writing for The Smothers Brothers Show. He writes about mentors, girlfriends, his complex relationship with his parents and sister, and about some of his great peers in comedy--Dan Ackroyd, Lorne Michaels, Carl Reiner, Johnny Carson. He writes about fear, anxiety and loneliness. And he writes about how he figured out what worked on stage. This book is a memoir, but it is also an illuminating guidebook to stand-up from one of our two or three greatest comedians. Though Martin is reticent about his personal life, he is also stunningly deft, and manages to give readers a feeling of intimacy and candor. Illustrated throughout with black and white photographs collected by Martin, this book is instantly compelling visually and a spectacularly good read. Amazon.com Exclusive Three Bonus Deleted Passages from Steve Martin's Born Standing Up On Returning to Disneyland Ten years later, after the Beatles, drugs, and Vietnam had changed the entire tenor of American life, I returned to the magic shop at Disneyland and stood as a stranger. As I looked around the eerily familiar room another first came over me, a previously unknown emotion, one that was to have a curious force over me for the rest my life: the longing tug of nostalgia. Looking at the counter where I pitched Svengali Decks and the Incredible Shrinking Die, I was awash with the recollection of indelible nights where the sky was blown open by fireworks and big band sounds drifted through trees strung with fairy lights. I remembered my youth, when every moment was crisply present, when heartbreak and joy replaced each other quickly, fully and without trauma. Even now when I visit Disneyland, I am steeped in melancholy, because a corporation has preserved my nostalgia impeccably. Every nail and screw is the same, and Disneyland looks as new now as it did then. The paint is fresh, and the only wear allowed is faux. In fact, only I have changed. In the dream-like world of childhood memories, so often vague and imprecise, Disneyland remains for me not only vivid in memory, but vivid in fact. On Meeting Diane Hall During the day, I attended Santa Ana Junior College, taking drama classes and pursuing an unexpected interest in English poetry from Donne to Eliot. I would occasionally assist on a college stage production--never appearing in one--as a member of the crew. Years later I was looking through a box of memorabilia and noticed a silk-screened playbill of the musical Carousel, May, 1964, which listed me as a stagehand. The lead actress was Diane Hall. Something connected and I remembered that Diane Keaton's name was once Hall, (hence, Annie Hall). I confirmed with her that she was in that production. Neither of us remembers meeting the other, yet we must have worked in proximity. More evidence that I was a wallflower. Decades later, we ended up "making love" on the floor of a movie set on Father of the Bride. On the Kennedy Assassination One Friday in 1963, I had finished a class and was about to drive to Knott's Berry Farm for the afternoon shows when I saw a clump of agitated students across the campus. I asked someone what was going on. "They're saying that the president's been shot." I drove across town to Knott's and punched radio buttons. I could hear the scheduled programs clicking off and being replaced by live broadcasts. Assassination seemed so ancient and inconceivable, I was sure that someone would soon correct the erroneous report. President Kennedy died that day and I didn't know that news could be taken so personally by a nation. Sitting backstage, watching the Birdcage's black-and-white TV drone out the increasingly grave report, we were all mute. We assumed the performance that night would be canceled, but as show time neared, word came down that we were going on. We couldn't fathom why; we believed no one would show up, much less enjoy us. I still can't explain the psychology, why the very full house that night was able to roar with laughter. The obvious must be correct: our silly show was providing some kind of balm that soothed the ache. In 2003 I hosted the Oscars on the particular weekend that the United States invaded Iraq. The news was grim and just hours before the show I flipped on the TV and saw a report, subsequently proven false, that our captive soldiers were being beheaded. I quickly turned the TV off, sick. I knew, from my experience forty years earlier with the Kennedy assassination, what my job was, and I harbored a secret knowledge that the audience would laugh. I also felt that soldiers who might be watching would be tuning in to see the Oscars and all its hoopla, not a cheerless comedian doing what he doesnÂ’t do best. I decided to acknowledge the circumstances early in the show and then get on with the jokes. The academy had announced that the show would "cut back on the glitz." I walked out for the opening monologue, took a look around the stage at the dazzling, swirling staircases, mirrored curtains and polished floor, and simply said, "I'm glad they cut back on the glitz." It got a laugh of relief and the show could go on. More from Steve Martin The Alphabet from A to Y with Bonus Letter Z! Shopgirl The Pleasure of My Company Picasso at the Lapin Agile and Other Plays Pure Drivel Praise for Born Standing Up "[A] lean, incisive new book about the trajectory of [Martin's] life in comedy...Born Standing Up does a sharp-witted job of breaking down the step-by-step process that brought Steve Martin from Disneyland, where he spent his version of a Dickensian childhood as a schoolboy employee, to both the pinnacle of stardom and the brink of disaster...tightly focused...Born Standing Up is a surprising book: smart, serious, heartfelt and confessional without being maudlin." --Janet Maslin, The New York Times "Absolutely magnificent. One of the best books about comedy and being a comedian ever written." --Jerry Seinfeld, GQ "The writing is evocative, unflinching and cool. When Martin takes a scalpel to his life, what you feel is the precision of the surgeon more than the primal scream of the unanaesthetized patient...Born Standing Up is neither fanfare nor confession. It gives off a vibe of rigorous honesty. With lots of laughs." --Richard Corliss, Time Magazine "A spare, unexpectedly resonant remembrance of things pastÂ…Martin's one true subject is the evolution of his comedy--the transcendent moments...A smart, gentlemanly, modest bookÂ…winning." --Jeff Giles, Entertainment Weekly, EW Pick: A "A charming memoir tracking what the great comic characterizes as his 'war years.' Martin offers an eloquent and exacting account... [and] approaches his subjects with generosity, warmth and integrity." --Kirkus Reviews "Sure to delight fans and create new ones." --Laura Mathews, Good Housekeeping "What fun to discover the humble beginnings of some of his iconic personas...inspiring." --Rachel Rosenblit, Elle "The archetypical story of the underdog's rise and a particularly American story...beautifully written, honest, engaging, and quietly brave." --Frederic Tuten, Bomb Magazine "Son, you have an ob-leek sense of humor." --Elvis Presley
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From Publishers Weekly
Starred Review. Neatly combining his personal and professional worlds, beloved comedian, filmmaker, author, magician and banjoist Martin (Pure Drivel) chronicles his life as a gifted young comedian in this evocative, heartfelt memoir, which proves less wild and crazy than wise and considerate-though no less funny for it. The typically reticent performer shares rarely disclosed memories of childhood-his father, a failed actor, harbored increasing anger toward his son through the years-and the anxiety attacks that plagued him for some two decades, along with his early success as a television comedy writer, first for The Smothers Brothers Comedy Hour, and the evolution of his stand-up routine. Sharp insight accompanies stories of his first adult gig (at an empty San Francisco coffee house), his pioneering "no punch lines" style ("My goal was to make the audience laugh but leave them unable to describe what it was that had made them laugh"), appearances on programs like The Steve Allen Show and breakthrough moments with small, confused audiences. Though vivid and entertaining throughout, Martin doesn't dish any behind-the-scenes dirt from Saturday Night Live or The Tonight Show; rather, he's warm and generous toward everyone in his life, including girlfriends and colleagues. Tellingly, this intimate early career recap ends not with Martin's decision to give up live performance or his film debut The Jerk, but with a visit to his parents and Knott's Berry Bird Cage Farm, where he first performed as a teenager. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Product details
Hardcover: 209 pages
Publisher: Scribner; 1st edition (November 20, 2007)
Language: English
ISBN-10: 1416553649
ISBN-13: 978-1416553649
Product Dimensions:
6.2 x 1.2 x 8.8 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
1,076 customer reviews
Amazon Best Sellers Rank:
#32,108 in Books (See Top 100 in Books)
I can hardly believe it’s been two years since I purchased this book and just now read it! Life takes us on a strange journey sometimes when we think we have found our calling (mine being comedy), yet life had different plans. I had been doing Hospice care as a volunteer for a few years when I took a break, thinking this will be my time to learn comedy again! Well, my sister became deathly ill and needed three brain surgeries so I was back doing bedside service…I’m not complaining at all, in fact, I’m greatly appreciative that I wasn’t working at the time so I could help her. I’m now taking a Master Class on Comedy, by Steve Martin, which reminded me of this book. So I read it!What does this have to do with Steve Martin’s book? Comedy is born out of life’s tragedies and trauma’s; they force us to become stronger and more resilient, and over time - look at things - in a sometimes disturbing humorous light.Steve’s book was enlightening and uplifting, from learning about his triumphs and struggles- in all that he endured to become the comic, and man he is today. I admire him greatly! The biggest obstacle and accomplishment when reading this, and I’d think he’d agree, was after obtaining a certain amount of respect, fame, and fortune, and having written “Lapin Agile†a play set in 1905 about the hypothetical meeting of Picasso and Einstein – Steve returned home. He earned the respect of love of his father, and basked in the love of his mother and sister; taking delight in their stories of forgotten anecdotes. There isn’t any greater gift in life than that!If you desire to be a comic/entertainer I highly recommend reading this book. It will not only inspire you, but offer you an introspective look at what and why you wish to be a comic. Comedy is a journey - such is life, and what better way to view it than in this humorous biography, “Born Standing Up.â€
There are few people out there who have not heard of Steve Martin. Many know him from his famous movies or appearances on Saturday Night Live. Born Standing up is the story of Martin’s previous life as a standup comedian. He tells the story of growing up working at magic shops, performing skits at empty bars, and running out of money not once, but several times.I leave a 3-star review mainly because I felt that I was left with a lot of unanswered questions. The book is quite short for a memoir and at the end, I felt that I was just getting started. Martin tells the story of his childhood and the early years of his standup career well, but I personally feel like this book is an unfinished product. It felt as if there were intentions to write a comprehensive memoir at some point, but the publishing deadline arrived and the book was shipped as is.Despite my critical review, I would say the book is fully worth the read. It is one of those books you have to sit down and digest all at once and enjoy entering the mind of the man who invented an entirely new version of standup comedy.
Steve Martin doesn't really give us an autobiography — engaging in the public soul searching and detailed exposition of oneself that makes a good autobiography is not in his character. He's much too private a person (at least that much of his personality comes across in this book). Instead, he gives us an overview of how he became famous, what he became famous for, and his reactions to both. There is some introspection, and enough personal reflection to connect us to Steve ... Martin ... but not a whole lot of detail. The question is, do we really need more? The author's goal for this book wasn't to tell his life story; it was to tell his early career story, which, to be sure, is impossible without some of the other stuff. Overall, I think, he gives us just enough of the personal to understand the professional, and enough of the professional to see how he got so famous. He doesn't deal with his career in movies, or his other accomplishments. It is strictly about his emergence as the biggest name in stand-up comedy. It is, therefore, an easy, gentle, reassuring read, bound to please his biggest fans, like me, and, yet, leave them wanting more. That's show biz for you.
This book has been recommended over and over again by entrepreneurs and creators lately, so added to the pile by recommending it on my book recommendations email list. I had always thought Steve Martin was at least mildly funny, but didn't think about him beyond that. This book is a great story of a creator's journey, and it was interesting peer into the history of the beginnings of stadium-filling comedy shows.Steve Martin set records filling stadiums for comedy shows. Before that, he was an opening act at concerts. Before that, like many comedians, he struggled, doing five shows a day for twelve years. He gives insights into how family dynamics drove him into his craft, and what it was like to discover his unique creative voice.It's well-written, which is something I'm especially appreciative of lately. I recently read a book by another comic that was poorly-written. I finished it because I was interested in that person's story, but the stink crept into my own writing, and it took a few days of practice to shake it.
Disclaimer: I LOVE Steve Martin. I read this expecting to love it and was not disappointed. It was even more than I expected. A private man courageously opens up about his origins, including his troubled family relationships. He shares his magician techniques (to a point), notes on comic performances, BUNCHES of other insightful stuff. It is a fascinating exploration that he refers to as a biography rather than an autobiography for reasons that you will understand once you read it--and please do. A personal note--I saw him in an arena setting when I was a teenager and had no idea that he'd reached a point in his standup career that was not...rewarding. I'm still grateful that I got to see him in his standup career.
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